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Life Is What It's Called - What was your inspiration for The Monster Twins?
The Monster Twins started as more of an idea than an inspiration. We wanted a family project that could bring together our interests and abilities in creative writing, design, and illustration. A children's book was a logical idea.
From there, though, the book advanced based on a variety of inspirations. Ella has been creating monster pictures since she was five or six years old (she is 19 now); as she has grown up, she added a deep interest in drawing architectural features and icons. These two elements became a focal point for the book.
Karen has been stretching her creative muscles for many years. Having trained at London College of Fashion and Central St Martins, Karen has channeled her creativity into numerous areas over the years, including her own line of high-fashion scarves (karenhanvik.com) and a successful career as a digital marketing consultant. She is inspired by her passion for travel, as am I. This shared passion made the element of multiple locations for the setting of the book another logical decision.
Regarding the copy, it started as a much longer manuscript designed to introduce many concepts and images that could inspire the book's design. Gradually, the words were pared down to allow the design and illustration to carry much of Bella and Bertie's story.
Finally, subconsciously at first, then consciously, the story's emotional elements were inspired by current events. The Monster Twins features a number of conflicting emotions, such as sadness and joy, separation and togetherness, loss, and gain. This mirrors the current state of so much of the world, with division being such a common theme across geographies, political leanings, and personal ideologies. We wanted to share a book that focused only on overcoming those divisions and finding happiness together… in such a way that makes a positive difference for others.
Life Is What It's Called - What do you hope kids will gain from reading it? And why should parents want their kids to read this book?
During our research as we developed The Monster Twins, we were pleasantly surprised about the quite wide age range of children who enjoyed the book. Kids as young as three or four simply enjoyed the big, bold, colorful pictures and some funny bits. Children up to 11 or 12 enjoyed the look and feel of the book, but seemed to really spark to the idea of thinking about what the story really means… giving them a chance to create their interpretation of it. No matter what the age, though, we want young listeners and readers to like Bella and Bertie – and their extended family! – as people who overcome challenges and strive to help others… and have some fun at the same time.
As for the parents, we hope the book is a joy to read every time to their children, letting them use their imaginations and apply their own interpretations. We also hope it might inspire them to talk to their children about the concepts they take away from the story. Finally, we hope it will spark an interest in the locations featured in the book and nudge them to learn more with their children. (We have created a new format for The Monster Twins, available at monstertwins.com, that is interactive and does not require an e-reader; it features bonus materials on every page of the book, including fun facts about the locations, downloadable coloring pages, and activities.)
Life Is What It's Called - Do you each have a favorite part of the book that you'd like to share?
Ella: My favorite pages are those where Bella and Bertie are on the same page doing different – but related – things, like where they're climbing in different locations, or in their separate beds in London and Singapore. Also, because of my interest in architecture, I think it's great to share with kids my view of such amazing buildings from around the world.
Karen: The mobile phone page spread always makes me smile as it's where Bella and Bertie and the families find each other, thanks to social media, mobile phones, and the internet! I also love the 'hot spots' in the interactive online version of the book we created for our website. And it makes me happy and proud to hear the comments from people that the pictures surprise them in a fun way. We worked hard to include unusual details that kids and parents would enjoy.
Robert: I like all the icons in London and Singapore, as they bring back memories of our travels together. But I think my favorite bits are the smaller touches, like Baby Bella's Smellies branded diaper and the 'monster accessible' school bus. My favorite spread is the one that reveals that Bella and Bertie are monsters because the reference to short arms and selfies makes me smile.
Life Is What It's Called - Can you share a highlight from the process of creating The Monster Twins?
I think the overall highlight has been just being able to share such an ambitious project as a family. In addition to Ella, Karen, and myself, other family members have helped in many behind-the-scenes ways. You can learn more about how we created The Monster Twins by visiting the 'Making of' page on our website, which provides an overview of how the book was drawn, together with early pictures of the character development.
The other thing that has been a real highlight is the multitude of reactions and interpretations we have received from everyone who has been exposed to the book. To us, that's a sign of a great book, one that engages people in ways that are meaningful to each individual.
Life Is What It's Called - Are there more books featuring the monsters in your future?
Yes! We already have drafted manuscripts for two more books, which will take Bella and Bertie and their family to other parts of the world, including the United States. We have roughly sketched out more stories but thought we should not get too far ahead of ourselves.
Life Is What It's Called - Robert, since you have experience in writing journalism, and, Karen, you have experience in marketing, can you tell us if these said careers are harder or easier than writing for children? How have your backgrounds helped you write this book?
Robert: I feel fortunate in that writing has always come easily to me. I think journalistic writing is more natural for me, especially having done it for so long, in that it is quite logical and straightforward. Creative writing can be challenging because linear thinking is not always best. Plus, I have to constantly remind myself that I'm not writing the book for myself; I have to think about those who I want to enjoy it. I do feel that my approach to writing has helped us think through things in the book. By 'over-writing' as I tend to do, I cover many things that are much better drawn and brought to life by design.
Karen: Writing and illustrating books for children is certainly more fun! Besides the learning curve of stretching myself to 're-learn' how to draw and design again after a number of years, it has been a fantastic experience and given me ideas for new characters and stories. Having had five children (now all adults) and remembering the pleasure of reading endless books to and with them, also definitely helped make the book better and added to my enjoyment of creating it.
Life Is What It's Called - What's one fun thing about you that readers should know?
Ella: Some of the architectural drawings I submitted as part of my school homework were so precise that my teachers mistakenly thought I had traced them from a book.
Karen: At age 15, I was asked to fill a gap in my school's sports day and throw the discus for the very first time. Randomly, it turned out I was a natural and, after lots and lots of practice, I ended up training with the Team Great Britain, the national Olympic track and field team!
Robert: I hold a record that will never be broken: longest baby to be delivered at the hospital where I was born – 24 inches. (I know the record will always stand because the hospital closed shortly after I was born!)
When all your plans fail, can you find the courage to follow a new path? Lissa Montgomery is on track
to be Boston’s top financial analyst—or she would have been, if her misogynistic boss had ever given her a chance. Suddenly jobless, Lissa has little hope for her life going according to plan. But then she meets handsome and charming Brennon, a workaholic who is just as driven as she is. In order to spend more time with him when he’s not at the office, she agrees to look after his blind roommate, Steve, after he’s hit by a car.
Where Brennon is sweet and thoughtful and practically perfect, Steve is grumpy, abrasive, and refuses to find a reason to be happy in his newly sightless life. Getting to know Brennon, though, means being stuck with his best friend too, even if he is a little rough around the edges.
But as Steve starts to open up and finally live again, Lissa realizes there’s a lot more to life than climbing the corporate ladder. And she has to wonder who is really blind, since Steve seems to be the only one who can see what is right in front of him.